The Daedalus Myth. Analytical paper on James Joyce and. "The Artist as a Young Man"

throng Joyces A Portrait of the mechanic as a teenage patch is a novel of complex themes essential by dint of frequent allusions to classical storyology. The myth of Daedalus and Icarus serves as a structuring gene in the novel, uniting the central themes of individual revolt and discovery, producing a work of literature that illuminates the motivations of an artist, and the development of his individual philosophy.         James Joyce chose the note Stephen Dedalus to link his hero with the mythical Grecian hero, Daedalus. In Greek myth, Daedalus was an architect, inventor, and artisan. By request of King Minos, Daedalus built a inner ear on Crete to contain a dickens called the Minotaur, half mark and half man. Later, for displeasing the king, Daedalus and his son Icarus were both confined in this labyrinth, which was so complex that even its master could not recollect his way out. Instead, Daedalus fashioned wings of wax and feathers so that he an d his son could escape. When Icarus flew to a fault high -- too near the sunbathe -- in spite of his fathers warnings, his wings melted, and he fell into the ocean and drowned. His more cautious father flew to base hit (World Book 3).

By using this myth in A Portrait of the Artist as a Young Man (Portrait of the Artist), Joyce succeeds in expectant definitive treatment to an archetype that was well established languish before the twentieth century (Beebe 163).         The Daedalus myth gives a sanctioned structure to Portrait of the Artist. From the beginning, Stephen, like around young peop le, is caught in a maze, just as his namesa! ke Daedalus was. The schools be a maze of corridors; Dublin is a maze of streets. Stephens judging itself is a turn maze filled with dead ends and peak reasoning (Hackett 203): Met her... If you sine qua non to get a full essay, coiffure it on our website: OrderCustomPaper.com

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